Feminism in Literature: A Selective Study of ShakespheareUtusan Publication & Distributors Sdn Bhd., 2000 - 213 Seiten |
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Seite 56
... father . Consent is taken from the father instead of the daughter , Rosalind as Ganymede asks her father , You say , if I bring in your Rosalind , You will bestow her on Orlando here ? Duke S. That would I , had I kingdoms to give with ...
... father . Consent is taken from the father instead of the daughter , Rosalind as Ganymede asks her father , You say , if I bring in your Rosalind , You will bestow her on Orlando here ? Duke S. That would I , had I kingdoms to give with ...
Seite 58
... father , had banished thy uncle , the Duke my father , so thou hadst been still with me , I could have taught my love to take thy father for mine ; so wouldst thou , if the truth of thy love to me were so righteously temper'd as mine is ...
... father , had banished thy uncle , the Duke my father , so thou hadst been still with me , I could have taught my love to take thy father for mine ; so wouldst thou , if the truth of thy love to me were so righteously temper'd as mine is ...
Seite 73
... father proves to be a typical patriarchal father . One does not wonder why Hero is so quiet and obedient in front of him . Vives had referred to such fathers when he said , " I have known many fathers to cut the throat of their ...
... father proves to be a typical patriarchal father . One does not wonder why Hero is so quiet and obedient in front of him . Vives had referred to such fathers when he said , " I have known many fathers to cut the throat of their ...
Inhalt
THE RESOURCEFUL HEROINES OF SHAKESPEARES | 18 |
THE GRITTY WOMEN OF THE PROBLEM COMEDIES | 98 |
THE HEROINES OF THE ROMANCES | 135 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accept action affection Andretta Angelo Anna Jameson attraction Bassanio Beatrice beauty becomes behaviour believe Benedick Bertram better bring brother caused Celia century challenge charm chastity Claudio comedies considered court created critics Dash daughter death disguise duke Elizabethan equal face father feelings give given grace hand hear heart Helena Hermione Hero heroine honour human husband Ibid Imogen Irene G Isabella Italy Juliet kind king lady leave Leontes live lovers maid male marriage married Measure mind Miranda moral nature never notes observes Olivia once Orlando Orsino Paulina Perdita Pericles person play points Portia Posthumus present problem proves qualities queen remarks Richard romances Rosalind says scene seems sense Shakespeare Shakespeare's Plays shows social society soul speak status tells thought true truth turns unlike Viola virtues wife woman women characters young