Feminism in Literature: A Selective Study of ShakespheareUtusan Publication & Distributors Sdn Bhd., 2000 - 213 Seiten |
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Seite vii
... kind guidance while preparing this book . I am infinitely grateful to my husband and our children for co - operating with me always . I feel that professional work or study for a housewife and mother in Asian society is an ambitious and ...
... kind guidance while preparing this book . I am infinitely grateful to my husband and our children for co - operating with me always . I feel that professional work or study for a housewife and mother in Asian society is an ambitious and ...
Seite 45
... kind of loving , the merely sensual , is omitted . Jacobean comedy is full of it , but not Shakespearean . Another kind is important to the play , as important as in the neighbouring Much Ado . That play depends on Beatrice's ...
... kind of loving , the merely sensual , is omitted . Jacobean comedy is full of it , but not Shakespearean . Another kind is important to the play , as important as in the neighbouring Much Ado . That play depends on Beatrice's ...
Seite 99
... kind of relationship ends in a compromise for both Bertram and Angelo . Peter Ure points out : The problem of All's Well That Ends Well is to some extent the problem of reconciling much gracious calm and ageing wisdom in the persons of ...
... kind of relationship ends in a compromise for both Bertram and Angelo . Peter Ure points out : The problem of All's Well That Ends Well is to some extent the problem of reconciling much gracious calm and ageing wisdom in the persons of ...
Inhalt
THE RESOURCEFUL HEROINES OF SHAKESPEARES | 18 |
THE GRITTY WOMEN OF THE PROBLEM COMEDIES | 98 |
THE HEROINES OF THE ROMANCES | 135 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accept action affection Andretta Angelo Anna Jameson attraction Bassanio Beatrice beauty becomes behaviour believe Benedick Bertram better bring brother caused Celia century challenge charm chastity Claudio comedies considered court created critics Dash daughter death disguise duke Elizabethan equal face father feelings give given grace hand hear heart Helena Hermione Hero heroine honour human husband Ibid Imogen Irene G Isabella Italy Juliet kind king lady leave Leontes live lovers maid male marriage married Measure mind Miranda moral nature never notes observes Olivia once Orlando Orsino Paulina Perdita Pericles person play points Portia Posthumus present problem proves qualities queen remarks Richard romances Rosalind says scene seems sense Shakespeare Shakespeare's Plays shows social society soul speak status tells thought true truth turns unlike Viola virtues wife woman women characters young