Feminism in Literature: A Selective Study of ShakespheareUtusan Publication & Distributors Sdn Bhd., 2000 - 213 Seiten |
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Seite 78
... observes : . . . the characters , however have their relatives in Shakespeare's earlier plays : Toby and Falstaff ( Henry IV , Andrew and Slender ( The Merry Wives of Windsor ) , Maria and Nerissa ( The Merchant of Venice ) , Feste and ...
... observes : . . . the characters , however have their relatives in Shakespeare's earlier plays : Toby and Falstaff ( Henry IV , Andrew and Slender ( The Merry Wives of Windsor ) , Maria and Nerissa ( The Merchant of Venice ) , Feste and ...
Seite 139
... observes that , " The characters of Pericles have less viability than their counterparts in the other three romances under discussion . Their experiences may have several levels of meaning but their personality or life - potential never ...
... observes that , " The characters of Pericles have less viability than their counterparts in the other three romances under discussion . Their experiences may have several levels of meaning but their personality or life - potential never ...
Seite 171
... observes that , Critics have been reluctant to remove such women from the distant sphere of myth and fantasy . . . . Re- cently , however , critics have begun to approach Shakespeare's late plays not as any excursions into the world of ...
... observes that , Critics have been reluctant to remove such women from the distant sphere of myth and fantasy . . . . Re- cently , however , critics have begun to approach Shakespeare's late plays not as any excursions into the world of ...
Inhalt
THE RESOURCEFUL HEROINES OF SHAKESPEARES | 18 |
THE GRITTY WOMEN OF THE PROBLEM COMEDIES | 98 |
THE HEROINES OF THE ROMANCES | 135 |
Urheberrecht | |
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accept action affection Andretta Angelo Anna Jameson attraction Bassanio Beatrice beauty becomes behaviour believe Benedick Bertram better bring brother caused Celia century challenge charm chastity Claudio comedies considered court created critics Dash daughter death disguise duke Elizabethan equal face father feelings give given grace hand hear heart Helena Hermione Hero heroine honour human husband Ibid Imogen Irene G Isabella Italy Juliet kind king lady leave Leontes live lovers maid male marriage married Measure mind Miranda moral nature never notes observes Olivia once Orlando Orsino Paulina Perdita Pericles person play points Portia Posthumus present problem proves qualities queen remarks Richard romances Rosalind says scene seems sense Shakespeare Shakespeare's Plays shows social society soul speak status tells thought true truth turns unlike Viola virtues wife woman women characters young