Feminism in Literature: A Selective Study of ShakespheareUtusan Publication & Distributors Sdn Bhd., 2000 - 213 Seiten |
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Seite 70
... soul the Count Claudio hath wrong'd Hero ? Yea , as sure as I have a thought or a soul . Enough , I am engag'd ; I will challenge him ; By this hand , Claudio shall render me a dear account . ... ( IV.i.299-329 ) Benedick seems to have ...
... soul the Count Claudio hath wrong'd Hero ? Yea , as sure as I have a thought or a soul . Enough , I am engag'd ; I will challenge him ; By this hand , Claudio shall render me a dear account . ... ( IV.i.299-329 ) Benedick seems to have ...
Seite 186
... soul win Ferdinand's heart and soul faster than all the superficial court beauties . The basic difference is that those ladies achieved in attracting him through the senses only , therefore their appeal was temporary , whereas Miranda's ...
... soul win Ferdinand's heart and soul faster than all the superficial court beauties . The basic difference is that those ladies achieved in attracting him through the senses only , therefore their appeal was temporary , whereas Miranda's ...
Seite 191
... soul . His repeated use of the word ' soul ' in his plays , specially in the romantic dialogues , signifies that he meant this word to deny the inner voice or conscience which speaks nothing but what is true and righteous . The mind ...
... soul . His repeated use of the word ' soul ' in his plays , specially in the romantic dialogues , signifies that he meant this word to deny the inner voice or conscience which speaks nothing but what is true and righteous . The mind ...
Inhalt
THE RESOURCEFUL HEROINES OF SHAKESPEARES | 18 |
THE GRITTY WOMEN OF THE PROBLEM COMEDIES | 98 |
THE HEROINES OF THE ROMANCES | 135 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accept action affection Andretta Angelo Anna Jameson attraction Bassanio Beatrice beauty becomes behaviour believe Benedick Bertram better bring brother caused Celia century challenge charm chastity Claudio comedies considered court created critics Dash daughter death disguise duke Elizabethan equal face father feelings give given grace hand hear heart Helena Hermione Hero heroine honour human husband Ibid Imogen Irene G Isabella Italy Juliet kind king lady leave Leontes live lovers maid male marriage married Measure mind Miranda moral nature never notes observes Olivia once Orlando Orsino Paulina Perdita Pericles person play points Portia Posthumus present problem proves qualities queen remarks Richard romances Rosalind says scene seems sense Shakespeare Shakespeare's Plays shows social society soul speak status tells thought true truth turns unlike Viola virtues wife woman women characters young