Feminism in Literature: A Selective Study of ShakespheareUtusan Publication & Distributors Sdn Bhd., 2000 - 213 Seiten |
Im Buch
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Seite 15
... women characters . The words spoken by these women characters forcefully expose the evil practices in society . They also gave alternatives in many cases , which were in turn based upon the theories of the radical humanists of that age ...
... women characters . The words spoken by these women characters forcefully expose the evil practices in society . They also gave alternatives in many cases , which were in turn based upon the theories of the radical humanists of that age ...
Seite 26
... women characters have a depth and sublimity in their personalities . That is why the Shakespearean women characters have made such a lasting impression on their audiences . Shakespeare has been successful in creating forceful women ...
... women characters have a depth and sublimity in their personalities . That is why the Shakespearean women characters have made such a lasting impression on their audiences . Shakespeare has been successful in creating forceful women ...
Seite 192
... women characters of Shakespeare's plays is due to the truth , naturalness and uni- versality which form the basis of each one of them . The situations , plots and characters may be borrowed but the ' soul ' of plays is evoked by the ...
... women characters of Shakespeare's plays is due to the truth , naturalness and uni- versality which form the basis of each one of them . The situations , plots and characters may be borrowed but the ' soul ' of plays is evoked by the ...
Inhalt
THE RESOURCEFUL HEROINES OF SHAKESPEARES | 18 |
THE GRITTY WOMEN OF THE PROBLEM COMEDIES | 98 |
THE HEROINES OF THE ROMANCES | 135 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accept action affection Andretta Angelo Anna Jameson attraction Bassanio Beatrice beauty becomes behaviour believe Benedick Bertram better bring brother caused Celia century challenge charm chastity Claudio comedies considered court created critics Dash daughter death disguise duke Elizabethan equal face father feelings give given grace hand hear heart Helena Hermione Hero heroine honour human husband Ibid Imogen Irene G Isabella Italy Juliet kind king lady leave Leontes live lovers maid male marriage married Measure mind Miranda moral nature never notes observes Olivia once Orlando Orsino Paulina Perdita Pericles person play points Portia Posthumus present problem proves qualities queen remarks Richard romances Rosalind says scene seems sense Shakespeare Shakespeare's Plays shows social society soul speak status tells thought true truth turns unlike Viola virtues wife woman women characters young