Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 105
... aesthetic opposition between , to put it as simply as possible , looking away and looking at disgust and fas- cination.4 In the earlier phases of the genre , horror inhered in what one was forbidden or unable to look at : one flinched ...
... aesthetic opposition between , to put it as simply as possible , looking away and looking at disgust and fas- cination.4 In the earlier phases of the genre , horror inhered in what one was forbidden or unable to look at : one flinched ...
Seite 51
... aesthetic abstraction that infuses these images makes one think of them as the cinematic counterpart of art pho- tography , a field in which Export is no novice . Yet , aesthetic ab- straction is placed here in the service of a sexual ...
... aesthetic abstraction that infuses these images makes one think of them as the cinematic counterpart of art pho- tography , a field in which Export is no novice . Yet , aesthetic ab- straction is placed here in the service of a sexual ...
Seite 108
... aesthetic choice . In " Cuba , negros , poesía " [ Cuba , Blacks , Poetry ] ( Prosa de prisa , vol . 1 : 94 , 101 ) , Guillén demonstrates his sharp awareness of differences in meaning of the black aesthetics for Afro - Cubans and for ...
... aesthetic choice . In " Cuba , negros , poesía " [ Cuba , Blacks , Poetry ] ( Prosa de prisa , vol . 1 : 94 , 101 ) , Guillén demonstrates his sharp awareness of differences in meaning of the black aesthetics for Afro - Cubans and for ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York