Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Berkeley Journal for Theoretical Studies in Media and Culture. Syntagma seems to be drawing in certain respects on this theo- retical model . Not only does it predicate a sensational as well as a visual body , but it also stresses the ...
Berkeley Journal for Theoretical Studies in Media and Culture. Syntagma seems to be drawing in certain respects on this theo- retical model . Not only does it predicate a sensational as well as a visual body , but it also stresses the ...
Seite 123
... drawing by O'Brian and Bryon Crabbe . Concerning picture quality , William K. Everson indicates that - since 1938 ? -copies of the film have been made intentionally darker in order to hide the more bloody details , which has generally ...
... drawing by O'Brian and Bryon Crabbe . Concerning picture quality , William K. Everson indicates that - since 1938 ? -copies of the film have been made intentionally darker in order to hide the more bloody details , which has generally ...
Seite 47
... drawing nutrients from it , while providing nothing to its survival and even threatening its well - being . We will thus see how this rhetoric op- erates through the construction of asymmetrically opposed counter- concepts , that of the ...
... drawing nutrients from it , while providing nothing to its survival and even threatening its well - being . We will thus see how this rhetoric op- erates through the construction of asymmetrically opposed counter- concepts , that of the ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York