Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 121
... eyes gives the appearance of a non - presence that is always a mirage , a Narcissistic bent that allows the self to fall in love with its reflection . The hand that touches this image will wake up from this dream of communication in the ...
... eyes gives the appearance of a non - presence that is always a mirage , a Narcissistic bent that allows the self to fall in love with its reflection . The hand that touches this image will wake up from this dream of communication in the ...
Seite 21
... eyes are like nuts in which all sadness is hidden . " We see first a close - up of the woman's eyes , and then a photographic negative of the same , modified so that the eyes glow red . Two more times in this sequence , a image of the ...
... eyes are like nuts in which all sadness is hidden . " We see first a close - up of the woman's eyes , and then a photographic negative of the same , modified so that the eyes glow red . Two more times in this sequence , a image of the ...
Seite 26
... eye as a sharp , precise instrument which probes into and controls what it sees , Invisible Adversaries denies the eye this mastery , figuring vision instead as a floating , rotating surface which is not in command of what is projected ...
... eye as a sharp , precise instrument which probes into and controls what it sees , Invisible Adversaries denies the eye this mastery , figuring vision instead as a floating , rotating surface which is not in command of what is projected ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York