Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 101
... production , Notre siècle ( Our Century ) , 1982 ? Pelechian : My work sometimes entails delays and difficulties ... produce a cinema that tries to develop knowledge by acting on the subconscious . For these Winter 2000 101.
... production , Notre siècle ( Our Century ) , 1982 ? Pelechian : My work sometimes entails delays and difficulties ... produce a cinema that tries to develop knowledge by acting on the subconscious . For these Winter 2000 101.
Seite 107
... production and demanding in its presentation had a subject like that of King Kong . The film is a curiosity in both the history of production and in the genre itself . In Hollywood's studio system , subjects of this sort of drastic ...
... production and demanding in its presentation had a subject like that of King Kong . The film is a curiosity in both the history of production and in the genre itself . In Hollywood's studio system , subjects of this sort of drastic ...
Seite 112
... produce , whose black and white immateriality contains a certain corporal vagueness through which foreboding memories ... production as craft that remained from the nineteenth century , 18 This tradition included the ethic : to be one ...
... produce , whose black and white immateriality contains a certain corporal vagueness through which foreboding memories ... production as craft that remained from the nineteenth century , 18 This tradition included the ethic : to be one ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York