Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 93
... Sound is transformed into image . Image is transformed into sound . It turns out that what I see— — I hear , and what I hear— I see . In the time of the method at a distance , the reciprocal actions between the particles happen so ...
... Sound is transformed into image . Image is transformed into sound . It turns out that what I see— — I hear , and what I hear— I see . In the time of the method at a distance , the reciprocal actions between the particles happen so ...
Seite 94
... sound badly ; they were content with a synchronous cinema , as in life , of sonic illustration . No one noticed that sound could take the place of the image , and that then the latter could merge with the former . Niney : Your cinema is ...
... sound badly ; they were content with a synchronous cinema , as in life , of sonic illustration . No one noticed that sound could take the place of the image , and that then the latter could merge with the former . Niney : Your cinema is ...
Seite 95
... sounds and signifiers function as counterpoints within the sequential narrative of the poem . In " Negro Bembón , " it is ... sound - phrases mimicking Africanisms and drum - language without any direct meaning in Spanish . The refrain ...
... sounds and signifiers function as counterpoints within the sequential narrative of the poem . In " Negro Bembón , " it is ... sound - phrases mimicking Africanisms and drum - language without any direct meaning in Spanish . The refrain ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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