Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 17
... woman's head and upper body , the image has been again ripped on the right side , now dissecting one eye and arm . The final image , in which the flesh - colored woman bends over her black and white " reflection , " rewrites the myth of ...
... woman's head and upper body , the image has been again ripped on the right side , now dissecting one eye and arm . The final image , in which the flesh - colored woman bends over her black and white " reflection , " rewrites the myth of ...
Seite 86
... woman " is already aligned with " object " and " material , " Adjoined Dislocations moves us into the spatial position of " woman , " so that we may physically occupy this material location as it disintegrates . This act of multi ...
... woman " is already aligned with " object " and " material , " Adjoined Dislocations moves us into the spatial position of " woman , " so that we may physically occupy this material location as it disintegrates . This act of multi ...
Seite 114
... woman away from Kong , the order that existed between both sides of the island is destroyed . Uncalled , Kong ... woman , which only spells their death . On the other hand , Kong only wants to keep the woman with him , without killing ...
... woman away from Kong , the order that existed between both sides of the island is destroyed . Uncalled , Kong ... woman , which only spells their death . On the other hand , Kong only wants to keep the woman with him , without killing ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York