The Centennial Review: CR., Band 31College of Arts and Letters, Michigan State University, 1987 |
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Seite 15
... four , resolving to be a creative non - victim by taking a stance to- ward nature quite similar to the one Frye describes . " What does nature look like from Position Four ? " asks Atwood : " Well , it isn't the Divine Mother . . . and ...
... four , resolving to be a creative non - victim by taking a stance to- ward nature quite similar to the one Frye describes . " What does nature look like from Position Four ? " asks Atwood : " Well , it isn't the Divine Mother . . . and ...
Seite 340
... four boys and four girls " on the basis of their dancing and the personal impression they make while talking about themselves . At the end , the eight having been chosen , the whole company immediately appears costumed and kicking in a ...
... four boys and four girls " on the basis of their dancing and the personal impression they make while talking about themselves . At the end , the eight having been chosen , the whole company immediately appears costumed and kicking in a ...
Seite 362
... four anthologies on this theme . Its successors were Social Speculations ( 1971 ) , Human Alternatives ( 1971 ) , and The Edge of Adaptation ( 1973 ) . One way in which these four anthologies differ from On Contemporary Literature , say ...
... four anthologies on this theme . Its successors were Social Speculations ( 1971 ) , Human Alternatives ( 1971 ) , and The Edge of Adaptation ( 1973 ) . One way in which these four anthologies differ from On Contemporary Literature , say ...
Inhalt
NUMBER ONE Winter 1987 | 1 |
SUSAN JEFFORDS | 55 |
SUZANNE JUHASZ | 73 |
Urheberrecht | |
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