The Centennial Review: CR., Band 31College of Arts and Letters, Michigan State University, 1987 |
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Seite 125
... lights are dotted on top . This process gives a smooth transition from dark to light , as Mooz has noted , building form from the inside out . The face of Richard Dalton , however , was executed in quite a different technique . As Mooz ...
... lights are dotted on top . This process gives a smooth transition from dark to light , as Mooz has noted , building form from the inside out . The face of Richard Dalton , however , was executed in quite a different technique . As Mooz ...
Seite 128
... light and colors . 19 Against the orthodox theory he argues that judgment of distance is not determined by lines and ... light and colours . " 23 In his New Theory of Vision Vindicated published in defense of the Essay , Berkeley gives a ...
... light and colors . 19 Against the orthodox theory he argues that judgment of distance is not determined by lines and ... light and colours . " 23 In his New Theory of Vision Vindicated published in defense of the Essay , Berkeley gives a ...
Seite 154
... light . An even more startling effect occurs when Shakespeare fixes his eye on that opposite mo- ment when evening light flickers out into an ominously en- croaching darkness . For instance , here is what Macbeth sees as he watches the ...
... light . An even more startling effect occurs when Shakespeare fixes his eye on that opposite mo- ment when evening light flickers out into an ominously en- croaching darkness . For instance , here is what Macbeth sees as he watches the ...
Inhalt
NUMBER ONE Winter 1987 | 1 |
SUSAN JEFFORDS | 55 |
SUZANNE JUHASZ | 73 |
Urheberrecht | |
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