The Centennial Review: CR., Band 31College of Arts and Letters, Michigan State University, 1987 |
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Seite 129
... painting tech- nique following his arrival in America . The theory that in our immediate field of vision we do not ... painting as a paradigm of this central thesis . He claimed " A picture painted with great variety of colours affects ...
... painting tech- nique following his arrival in America . The theory that in our immediate field of vision we do not ... painting as a paradigm of this central thesis . He claimed " A picture painted with great variety of colours affects ...
Seite 130
... painting reveals to us what experience jealously wishes to hide . Looking at the representation of Berkeley on the canvas affords us a better understanding that our visual perception is two - dimensional , than if we were to encounter ...
... painting reveals to us what experience jealously wishes to hide . Looking at the representation of Berkeley on the canvas affords us a better understanding that our visual perception is two - dimensional , than if we were to encounter ...
Seite 147
... Painting ( “ Paragone : Of Poetry and Painting " ) glorifies painting at the expense of poetry . Painting gives a more com- prehensive representation of the world , Leonardo argues , be- cause " the painter will create an infinite ...
... Painting ( “ Paragone : Of Poetry and Painting " ) glorifies painting at the expense of poetry . Painting gives a more com- prehensive representation of the world , Leonardo argues , be- cause " the painter will create an infinite ...
Inhalt
NUMBER ONE Winter 1987 | 1 |
SUSAN JEFFORDS | 55 |
SUZANNE JUHASZ | 73 |
Urheberrecht | |
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aesthetic American anthology artistic attitude audience Austen Barnes's beauty Berkeley Berkeley's Blithedale Blithedale Romance Canadian literature Canadian poetry Cassandra CENTENNIAL REVIEW century characters Chorus Line comedy consciousness contemporary context Copley critical culture dark Darwin discussion distinction Djuna Barnes economic English essays expatriation experience expression eyes feelings fiction fish George George Berkeley Hawthorne Hawthorne's Hemingway human humor ideal imagination James Jane Jane Austen John John Smibert Keillor language Leonardo letters Lewis literary lives Lyn Lifshin Mark Twain Medusa Michigan State University mind Mooz moral rules mother myth native nature novel object observed painting perception perfection play poems poetic poets political portrait reader reading relationship religion Robert Feke role sense sexual Shakespeare sight Sinclair Lewis Smibert social stone structure suggests theory things thought tion Toronto traditional University Press vision visual William woman women writing York Zenobia