The Centennial Review: CR., Band 31College of Arts and Letters, Michigan State University, 1987 |
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Seite 342
... Play Stack In order for the audience - play stack to be made evident the audience must be acknowledged as present and they must be clearly included in the artwork so that they function both out- side and inside the play . The backstage ...
... Play Stack In order for the audience - play stack to be made evident the audience must be acknowledged as present and they must be clearly included in the artwork so that they function both out- side and inside the play . The backstage ...
Seite 350
... play - with- in - a - play where the inner play is isomorphic to the frame play , by imagery , and by disguisings or other mistaken identities that the audience is in on - all common theatrical devices . But the effect is greater where ...
... play - with- in - a - play where the inner play is isomorphic to the frame play , by imagery , and by disguisings or other mistaken identities that the audience is in on - all common theatrical devices . But the effect is greater where ...
Seite 410
... play " a part , and in all European languages , to perform music is to " play " it . In a word , these aesthetic concerns , which are play - like in that they are rooted in the childhood experience of activities not necessary to our ...
... play " a part , and in all European languages , to perform music is to " play " it . In a word , these aesthetic concerns , which are play - like in that they are rooted in the childhood experience of activities not necessary to our ...
Inhalt
NUMBER ONE Winter 1987 | 1 |
SUSAN JEFFORDS | 55 |
SUZANNE JUHASZ | 73 |
Urheberrecht | |
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