The Centennial Review: CR., Band 31College of Arts and Letters, Michigan State University, 1987 |
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Seite 37
... sense of contingence and change . This means that any study of the history of religion , or of certain facts ... sense of that order and coherence , a sense of some permanence , repetitive- ness and universality in the structure or ...
... sense of contingence and change . This means that any study of the history of religion , or of certain facts ... sense of that order and coherence , a sense of some permanence , repetitive- ness and universality in the structure or ...
Seite 148
... senses ; ergo , painting is superior to poetry . We know that sight is the most valued sense , Leonardo argues , because everyone prefers all other sensual deprivations to blindness : If asked which he would rather select , to be in ...
... senses ; ergo , painting is superior to poetry . We know that sight is the most valued sense , Leonardo argues , because everyone prefers all other sensual deprivations to blindness : If asked which he would rather select , to be in ...
Seite 388
... sense - impres- sions together within the aesthetic object itself , and the corres- ponding bond connecting those intensified feelings ( with their own dynamic inter - relationships ) into a whole within our field of sensibilities ...
... sense - impres- sions together within the aesthetic object itself , and the corres- ponding bond connecting those intensified feelings ( with their own dynamic inter - relationships ) into a whole within our field of sensibilities ...
Inhalt
NUMBER ONE Winter 1987 | 1 |
SUSAN JEFFORDS | 55 |
SUZANNE JUHASZ | 73 |
Urheberrecht | |
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aesthetic American anthology artistic attitude audience Austen Barnes's beauty Berkeley Berkeley's Blithedale Blithedale Romance Canadian literature Canadian poetry Cassandra CENTENNIAL REVIEW century characters Chorus Line comedy consciousness contemporary context Copley critical culture dark Darwin discussion distinction Djuna Barnes economic English essays expatriation experience expression eyes feelings fiction fish George George Berkeley Hawthorne Hawthorne's Hemingway human humor ideal imagination James Jane Jane Austen John John Smibert Keillor language Leonardo letters Lewis literary lives Lyn Lifshin Mark Twain Medusa Michigan State University mind Mooz moral rules mother myth native nature novel object observed painting perception perfection play poems poetic poets political portrait reader reading relationship religion Robert Feke role sense sexual Shakespeare sight Sinclair Lewis Smibert social stone structure suggests theory things thought tion Toronto traditional University Press vision visual William woman women writing York Zenobia