ShakespeareRoutledge, 11.10.2013 - 208 Seiten First published in 1951. |
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Seite 10
... Iago's initial insinuations as Othello does. Othello falls a very ready victim to Iago's hints. Stoll declares that “Othello is made to believe a man whom he has officially slighted, and with whom he is little acquainted, to the ...
... Iago's initial insinuations as Othello does. Othello falls a very ready victim to Iago's hints. Stoll declares that “Othello is made to believe a man whom he has officially slighted, and with whom he is little acquainted, to the ...
Seite 11
... Iago!” The tragedy of Othello, then, according to Professor Stoll, centres in a great improbability. A' hero of great nobility of character, unsuspicious, not in the least prone to jealousy, falls an instant victim to the insinuations ...
... Iago!” The tragedy of Othello, then, according to Professor Stoll, centres in a great improbability. A' hero of great nobility of character, unsuspicious, not in the least prone to jealousy, falls an instant victim to the insinuations ...
Seite 12
... Iago has no sooner begun his attack on Othello's peace of mind than Othello becomes discomposed. Iago's attack begins at III, iii, 35. Iago and Othello have entered and observed Cassio and Desdemona in conversation. Cassio goes out, and ...
... Iago has no sooner begun his attack on Othello's peace of mind than Othello becomes discomposed. Iago's attack begins at III, iii, 35. Iago and Othello have entered and observed Cassio and Desdemona in conversation. Cassio goes out, and ...
Seite 13
... Iago begins to suggest the idea to him. Now Iago has a widespread reputation for integrity. Again and again he is called “honest” by people who know him. His reputation for honesty is repeatedly emphasized by Shakespeare. There is ...
... Iago begins to suggest the idea to him. Now Iago has a widespread reputation for integrity. Again and again he is called “honest” by people who know him. His reputation for honesty is repeatedly emphasized by Shakespeare. There is ...
Seite 14
... Iago. Othello is a Moor—~his skin is black—those with Whom he associates are of a different race and colour, and some of them look down on him. The angry Brabantio speaks to Othello of “the sooty bosom of such a thing as thou” (I, ii ...
... Iago. Othello is a Moor—~his skin is black—those with Whom he associates are of a different race and colour, and some of them look down on him. The angry Brabantio speaks to Othello of “the sooty bosom of such a thing as thou” (I, ii ...
Inhalt
7 | |
9 | |
Chapter II Shakespeare and the OrderDisorder Antithesis | 39 |
Chapter III Comedy | 57 |
Chapter IV Imaginative Interpretation and Troilus and Cressida | 89 |
Chapter V History | 115 |
Chapter VI Tragedy | 157 |
Chapter VII The Last Plays | 188 |
Book List | 201 |
Index | 205 |
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Häufige Begriffe und Wortgruppen
according Achilles antithesis audience Aufidius Belarius believe Bolingbroke character Claudius comedy concerned conflict Coriolanus court Cressida criticism Cymbeline deed deposed Desdemona disorder-figures disordered personality doth Dover Wilson dramatic Duke Elizabethan evil fact Falstaff father feel fight figure final find first forest of Arden foul gives God’s Greek Guiderius Hamlet hath Hector Henry Henry IV plays Henry’s hero honour Hotspur Iago idea imaginative influence interpretation king King Lear L. C. Knights Lady Macbeth law of order Lear lover Machiavelli Malvolio man’s means mind moral murder nature Olivia Othello passion poetic Posthumus Prince Professor Dover Professor Stoll psychological reader reason regards Richard Richard II Rome satire says scene Shake Shakespeare play Shakespeare wants Shakespearian significance Sir Toby speaks subconscious suggested Tamburlaine theme things thou tragedy Troilus Troilus and Cressida true Twelfth Night universe unnatural usurpation wife Wilson Knight Witches words wrong