Freud and the Passions

aggression ambivalence analysis anger appears become believe body child childhood claim complex concept constitute course dead death desire directed Dora Dora's dream drive early edited effect emotions envy essay experience fact fantasy father feelings feminist force Freud girl give guilt hate homosexuality human hysterical idea identification ignorance instinct interest Interpretation justice knowledge Lacan language later Leonardo living loss love and hate maternal means melancholia moral mother mourning nature never notes object once opposite original passion person pleasure pleasure principle position primal principles projection psychoanalytic psychology question Rawls reading refers relation remains repression scene sense sexual social speaking story structure symbolic theory thing thought tion transference true truth turn unconscious University Press voice wish woman women writes York