Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
Im Buch
Ergebnisse 1-3 von 17
Seite 4
... performance of natural organs , humankind has not only surpassed the natural limits of its own body , but also the boundaries imposed by nature , such as gravitation , for example . Freud calls the use of tools the first acts of ...
... performance of natural organs , humankind has not only surpassed the natural limits of its own body , but also the boundaries imposed by nature , such as gravitation , for example . Freud calls the use of tools the first acts of ...
Seite 66
... performance of the feminine masquerade rather than , as Doane suggests , continuing in Riviere's reactive formation of masquerading compensatorily before the male - gaze- inscribed - dominant - cinema - screen . " Flaunting " has long ...
... performance of the feminine masquerade rather than , as Doane suggests , continuing in Riviere's reactive formation of masquerading compensatorily before the male - gaze- inscribed - dominant - cinema - screen . " Flaunting " has long ...
Seite 126
... performance by Marlene Dietrich in The Blue Angel which self - consciously calls into question the domi- nant iconography of women , Doane observes that by " destabil- izing the image , the masquerade confounds the masculine structure ...
... performance by Marlene Dietrich in The Blue Angel which self - consciously calls into question the domi- nant iconography of women , Doane observes that by " destabil- izing the image , the masquerade confounds the masculine structure ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth