Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
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Seite 67
... referent is the feminist and not the bull . . . dyke ( 9 ) . This argument marks an ironic point in history . Once the feminist movement had obscured the original cross - dressed butch through the interdic- tion of being " politically ...
... referent is the feminist and not the bull . . . dyke ( 9 ) . This argument marks an ironic point in history . Once the feminist movement had obscured the original cross - dressed butch through the interdic- tion of being " politically ...
Seite 100
... referent but by posing it as a problem . This relation , for instance , has been commented upon by Jacqueline Rose who discusses the relevance of postmodernism for the feminist project : " Hence one of the chief drives of an art today ...
... referent but by posing it as a problem . This relation , for instance , has been commented upon by Jacqueline Rose who discusses the relevance of postmodernism for the feminist project : " Hence one of the chief drives of an art today ...
Seite 52
... referent I seem to have come to a position of redefining what ethno- graphy might mean on film if it uses cultural forms such as cinema as its referent and its real . AR : Obeyesekere's text is a fascinating document . I'd like you to ...
... referent I seem to have come to a position of redefining what ethno- graphy might mean on film if it uses cultural forms such as cinema as its referent and its real . AR : Obeyesekere's text is a fascinating document . I'd like you to ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth