Plagues, Apocalypses and Bug-Eyed Monsters: How Speculative Fiction Shows Us Our Nightmares

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McFarland, 24.01.2015 - 264 Seiten

Speculative fiction--both science fiction and fantasy--reflects, among other things, the fears of the culture that created it, contributing (perhaps unconsciously) to our efforts to prevent our fears from coming true. While the names and media change over time, the themes of speculative fiction have a long history. Nineteenth century works such as Frankenstein and The Invisible Man contain many of the same messages as the more modern tales of Terminator, Jurassic Park and even Buffy, the Vampire Slayer, although almost a century separates their creation.

This critical study discusses the ways in which speculative fiction reflects societal fears and analyzes how such cautionary tales contribute to society's efforts to avoid the realization of these fears. Beginning with a discussion of the nature of speculative fiction, it takes a look at the characteristics of the cautionary tale. The core of the book, however, is the concept of the "Nightmares Model," which examines and categorizes the repetition of specific themes within the genre. The dangers of science and technology, the perils of power, and the threat of the unknown are discussed as recurrent themes within a variety of works in prose, film and television. Works analyzed range from Twenty-Thousand Leagues Under the Sea to 2001: A Space Odyssey to The Blair Witch Project. Sources include the author's own observations as a member of the genre's fandom, a variety of published commentaries and the perspectives of contemporary professionals gained through personal interviews and panel discussions.

 

Ausgewählte Seiten

Inhalt

Power
89
The Unknown
145
What Does All This Mean?
206
Chapter Notes
217
Works Cited
221
Index
243
Urheberrecht

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Beliebte Passagen

Seite 20 - If we are right in suggesting that our conceptual system is largely metaphorical, then the way we think, what we experience, and what we do every day is very much a matter of metaphor. But our conceptual system is not something we are normally aware of. In most of the little things we do every day, we simply think and act more or less automatically along certain lines.
Seite 24 - For the first time, science-fiction writers appeared to the world in general to be something more than a bunch of nuts; we were suddenly Cassandras whom the world ought to have believed. But I tell you, I would far rather have lived and died a nut in the eyes of all the world than to have been salvaged into respectability at the price of nuclear war hanging like a sword of Damocles over the world...
Seite 7 - The Emperor's New Clothes"). Children know perfectly well that unicorns aren't real, but they also know that books about unicorns, if they are good books, are true books. All too often, that's more than Mummy and Daddy know; for, in denying their childhood, the adults have denied half their knowledge, and are left with the sad, sterile little fact: "Unicorns aren't real.

Autoren-Profil (2015)

Heather Urbanski is currently an assistant professor of English at Fitchburg State University in Massachusetts.

Bibliografische Informationen