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Shoeing a Bronco

BY BILL NYE.

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HENEVER I get low-spirited and feel that a critical public don't appreciate my wonderful genius as a spring poet, I go around to Brown & Poole's blacksmith shop on A street, and watch them shoe a vicious bronco. I always go back to the office cheered and soothed, and better prepared to fight the battle of life.

They have a new rig now for this purpose. It consists of two broad sinches, which together cover the thorax and abdomen of the bronco, to the ends of whichthe sinches, I mean-are attached ropes, four in number, which each pass over a pulley above the animal, and then are wrapped about a windlass. The bronco is led to the proper position, like a young man who is going to have a photograph taken, the sinches slipped under his body and attached to the ropes.

Then the man at the wheel makes two or three turns in rapid succession.

The bronco is seen to hump himself, like the boss camel of the grand aggregation of living wonders. He grunts a good deal and switches his tail, while the ropes continue to work in the pulleys and the man at the capstan spits on his hands and rolls up on the wheel. After a while the bronco hangs from the ceiling like a discouraged dishrag, and after trying for two or three hundred times. unsuccessfully to kick a hole in the starry firmament, he yields and hangs at half-mast while the blacksmith shoes him.

Yesterday I felt as though I must see something cheerful, and so I went over to watch a bronco getting his shoes on for the round-up. I was fortunate. They led up a quiet, gentlemanly appearing plug with all the weary, despondent air of a disappointed bronco who has had aspirations for being a circus horse, and has "got left." When they put the sinches around him he sighed as though his heart would break, and his great, soulful eyes

were wet with tears. One man said it was a shame to put a gentle pony into a sling like that in order to shoe him, and the general feeling seemed to be that a great wrong was being perpetrated.

Gradually the ropes tightened on him and his abdomen began to disappear. He rose till he looked like a dead dog that had been fished out of the river with a grappling iron. Then he gave a grunt that shook the walls of the firmament, and he reached out about five yards till his hind feet felt of a Greaser's eye, and with an athletic movement he jumped through the sling and lit on the blacksmith's forge with his head about three feet up the chimney. He proceeded then to do some extra ground and lofty tumbling and kicking. A large anvil was held up for him to kick till he tired himself out, and then the blacksmith put a fire and burglar proof safe over his head and shod him.

The bronco is full of spirit, and, although docile under ordinary circumstances, he will at times get enthusiastic and do things which he afterwards, in his sober moments, bitterly regrets.

Some broncos have formed the habit of bucking. They do not all buck. Only those that are alive do so. When they are dead they are more subdued and gentle.

A bronco often becomes so attached to his master that he will lay down his life if necessary. His master's' life, I mean.

When a bronco comes up to me and lays his head over my shoulder, and asks me to scratch his chilblain for him, I always excuse myself on the ground that I have a family dependent on me, and furthermore, that I am a United States Commissioner, and to a certain extent the government hinges on me.

Think what a ghastly hole there would be in the official staff of the republic if I were launched into eternity now, when good men are so scarce.

Some days I worry a good deal over this question. Suppose that some unprincipled political enemy who wanted to be United States Commissioner or Notary Public in my place should assassinate me!!!

Lots of people never see this. They see how smoothly the machinery of government moves along, and they do not dream of possible harm. They do not know how

quick she might slip a cog, or the eccentric get jammed through the indicator, if, some evening when I am at the opera house or the minstrel show, the assassin should steal up on me, and shoot a large, irregular aperture into my cerrebellum.

This may not happen, of course; but I suggest it, so that the public will, as it were, throw its protecting arms about me, and not neglect me while I am alive.

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I like the commercial tourists, the angels of commerce, the drummers. They are a royal, loyal set of fellows. And how they have improved in the past twenty years. I ought to know. I used to be one. But to my story. Into a Western hotel comes a breezy drummer. "Hello, Charlie," to the clerk. Gimme a room quick. I am frazzled out."

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Mighty sorry; but I can't give you a room to-night."
But I got to have a room.

Well-yes; I have one room, but there is a nervous old gentleman next door, and your are so noisy."

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Me, noisy; not on your life. Gimme that room, and I will be as quiet as a lamb."

"All right-front-take this gentleman and a pitcher of ice-water up to 29."

The drummer goes into his room, forgets all about the nervous man; takes off one shoe and slams it down on the floor; then he remembers. He takes off the other shoe very quietly, undresses without any noise, and slips ever so easily into bed.

He had been asleep about two hours when he hears a knock at his door.

"Hello, what do you want?"

And the nervous old gentleman answers:

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Won't you please take off that other shoe; I have

been waiting all night to hear it drop!"

-A. W. Hawks.

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George Lee*

BY HAMILTON AIDE.

"Fire! fire! fire!"

That dread cry in dead of night
Rouses the sleepers with affright,
Adown the narrow squalid street;
And while men stumble to their feet,
And snatch their earnings up with oaths,
Wives clasp their babes and tattered clothes,
And all run out into the ways,

On which the lurid firelight plays.
The faces of that crowd show plain
Starvation, misery, and pain:

Strange that to this sad life they cling
As much as placid priest, or king
Upon his throne may do! Along
The street, from every open door
And court and alley, fresh streams pour,
To swell the dense excited throng.

The cry is "Water!" now. Below

The doomed house press the serried ranks,
And pass the buckets from the tanks;

While the bewildered inmates throw

All that they can into the street.

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The crowd screams out Come down! A sheet

Of flame is rising, and the smoke

Grows dense! Come down before it choke

Your breath!"

"Where are the engines? See!

It spreads! God help us! Not alone

This house; the entire street will be

Ablaze if they are long delayed!

There's ne'er a hope for us but one

The fire-brigade, the fire-brigade!"

Hark! God be thanked!-at last! D'you hear

That distant roar that grows more near?

"Fire! fire! fire!" as on they tear

Down the close streets; for dear life rushing,
Like a coal-black steed that is spurred to death-

* From "Songs Without Music."

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To right, to left, the people crushing-
Sending sparks from its fiery breath,

The engine comes panting. Its riders draw up Where the flames, now mounting to heaven, glow On the pavement of human heads below,

And water is poured as into a cup

On the seething walls and molten glass;
And a smoke, as of hell, sweeps over all.
They have set the escape against the wall:
"There's never a soul there, mates?" cries Lee,
The fireman (he who, three days hence,
With his strong right arm for competence,
Shall wed the girl he has loved from a boy).
"No soul within?" The crowd cries, "None!"
But e'en while they answer one halloos,

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See,

There's a woman up there, in the topmost room!" Yes, at an open window, alone,

Looming out black against the glare,

Stands a shadow of hopeless, dull despair,
With folded hands, foreseeing her doom-
She is face to face with death.

One minute
Lee looks at her and the escape, no more;
Then through the smoke that blinds the door
He springs over burning stair and floor,

Up to the roof, if he can but win it!
With tight-clenched lips that breathe no word,
Scorched and blinded, yet undeterred,

He struggles on. From below, men, seeing
The whole house now is one blazing stack,
Cry out, "It's never no use! Come back!"
But what is peril to sight or limb,

If the life of a helpless human being Has yet a chance to be saved by him?

So through the fumes that now oppress him, Fainting, falling, he beats his way

To the room where the woman stands at bay,

With the flames, like bloodhounds, licking the edge
Of the window. They cry," He's safe! God bless him!"
. . . Is he safe? He has reached her, seized her, stands
With her form in his arms on the parapet-ledge.
Men hold their breath; the sight appals

The stoutest hearts, for he reels;. his hands
Cannot reach the escape. "O God in heaven,

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