"They Watch Me as They Watch This": Gertrude Stein's Metadrama
University of Pennsylvania Press, 1991 - 168 Seiten
Selected by Choice magazine as an Outstanding Academic Title
Gertrude Stein wrote almost one hundred plays, many of which were published and performed during her lifetime. In They Watch Me as They Watch This, the first full-length study of Stein's plays, Jane Palatini Bowers focuses on the author's contributions to the genre and offers individual and clarifying readings of these often difficult texts. In writing about Stein's plays, Bowers employs both semiotic and structuralist concepts but avoids the excessively abstract language and scientific approach often associated with this kind of criticism.
When compared with conventional drama, Stein's plays may appear so strange as to hardly seem like plays at all. Their extreme unconventionality arises from the role language takes in them. Conventional plays allow us to look through the language at the dramatic world created by it; Stein's plays force us to concentrate on the drama inherent in language and language-making. They record and reenact the poet's experiments with language and with theatrical conventions; they also preserve the improvisational writing process in the printed and enacted product. Futhermore, Stein's plays embody her critique of and her ideas about the conventional forms of drama. Thus, the plays are metadramatic: dramas about drama. Stein's belief in the theatricality and performability of language, her metatextual explorations of the interplay between poiesis, textuality, and performance, and her violations of the boundaries between literary criticism and practice have influenced postmodernist playwrights and poets such as David Antin, Richard Foreman, Dick Higgins, Jackson MacLow, and Jerome Rothenberg.
They Watch Me as They Watch This provides critical analyses of key plays which illuminate the process of Stein's experimentation during her lifetime of playwriting. Stein's recent critics have eschewed a generic approach to her writing; they overlook her intense interest in genre, and therefore they do not consider the ways in which her texts oppose, subvert, and disrupt generic conventions. Bowers's approach to Stein's work yields rich insights into her writing and into the genre she used. It will be an important contribution to Stein scholarship and to drama criticism as well.
... in her essay “ Toward a Semiotic Theory of Drama , ” by Patrice Pavis in Languages of the Stage , by James Calderwood in his series of books on Shakespearean metadrama , and by Richard Hornby in Drama , Metadrama , and Perception .
Richard Hornby , Drama , Metadrama , and Perception ( Lewisburg , PA : Bucknell University Press , 1986 ) , 31 . 18. Patrice Pavis , Languages of the Stage : Essays in the Semiology of the Theatre ( New York : Performing Arts Journal ...
... 86–87 , 88 , 94 , 129 Drama , Metadrama , and Perception ( Hornby ) , 4 Duncan , Isadora , 129–30 Dydo , Ulla , 149n.11 Gallup , Donald , 100 Genre , 1 , 136 Geographical History of America , The ( Stein ) , 3 , 72 , 81–87 Geography ...
Was andere dazu sagen - Rezension schreiben
1920 to 1933
1934 to 1937
The Last Plays 1938 to 1946
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Double Binds: Existentialist Inspiration and Generic ..., Band 87
Eingeschränkte Leseprobe - 1993