Hor. To fatisfy you, Sir, in what I faid, Stand by, and mark the manner of his teaching. [They stand by. Enter BIANCA and LUCENTIO. Luc. Now, miftrefs, profit you in what you read? Bian. What, mafter, read you? firit refolve me. that. Luc. I read that I profefs, the art of love. Bian. And may you prove, Sir, master of your art! Luc. While you, fweet dear, prove mitress of my heart. [They retire backward. Hor. Quick proceeders! marry, now tell me, I pray you, that durft fwear that your mistress Bianca loved none in the world fo well as Lucentio. Tra. O defpightful love! unconftant womankind! I tell thee, Licio, this is wonderful. Hor. Miftake no more, I am not Licio, Nor a musician, as I feem to be; But one that scorn to live in this difguife, gone to the Taming-School to Petruchio. There is a figure indeed in rhetoric, called repov prepov: but this is an abuse of it, which the rhetoricians will never adopt upon Mir Pope's authority. Again, by this mifplacing, the pedant makes his firft entrance, and quits the ftage with Tranio in order to go and drefs himself like Vincentio, whom he was to perfonate but his fecond entrance is upon the very heels of his exit; and without any interval of an act, or one word intervening, he comes out again equipped like Vincentio. If fuch a critic be fit to publifh a ftage writer, I fhall not envy Mr Pope's admirers, if they fhould think fit to applaud his fagacity. I have replaced the fcenes in that order in which 1 found them in the old books. : And fince mine eyes are witnefs of her lightnefs, I will with you, if you be fo contented, Forfwear Bianca and her love for ever. Hor. See, how they kifs and court !-----Signior Here is my hand, and here. I firmly vow Tra. And here I take the like unfeigned oath, Never to marry her, tho' fhe intreat. Fy on her! fee how beaftly fhe doth court him. Hor. Would all the world but he had quite forfworn her! For me, that I may furcly keep mine oath, Ere three days pafs, which has as long loved me, Kindness in women, not their beauteous looks, [Exit Hor. Tra. Miftrefs Bianca, blefs you with fuch grace As longeth to a lover's bleffed cafe; Nay, I have ta'en you napping, gentle love, And have forfworn you with Hortenfio. [Lucentio and Bianca come forward. Bian. Tranio, you jeft: but have you both forfworn me? Tra. Miftrefs, we have. Luc. Then we are rid of Licio.. Tra. I'faith, he'll have a lufty widow now, That fhall be woo'd and wedded in a day. Bian. God give him joy! Tra. Ay, and he'll tame her. Tra. 'Faith, he's gone unto the taming school. Bian. The taming fchool? what, is there fuch a place? Tra. Ay, mirefs, and Petruchio is the mafter; That teacheth tricks eleven and twenty long, To tame a threw, and charm her chattering tongue Enter BIONDELLO running. Bion. Ob mafter, mafter, I have watched fo long That I'm dog-weary; but at last I spied (20), An ancient engle, going down the hill, Will ferve the turn. Tra. What is he, Biondello! Bion. Mafter, a mercantant, or else a pedant; (20) but at last I fpied An ancient angel going down the hill, Though all the printed copies agree in this reading, I am confident that Shakespeare intended no profanation here; nor indeed any compliment to this old man, who was to be impofed upon, and made a property of. The word I have reftored, certainly retrieves the Author's meaning: and means, either in its first fignification, a burdash; (for the word is of Spanish extraction, ingle which is equivalent to inguen of the Latins ;) or, in its metaphorical fenfe, a gull, a cully, one fit to be made a tool of. And in both fenfes it is frequently used by B. Johnson. Cynthia's Revels: -and fweat for every venial trefpafs we commit, as fome Author would, if he had fuch fine engles as we. The Cafe is altered; (a comedy not printed among B. Johnfon's works) What, Signior Antonio Balladino! welcome, fweet engle. Poctaller. What fhall I have my fon a ftranger now? an engle for players? And he likewife ufes it, as a verb, in the fame play, fignifying to beguile, defraud. I'll prefently go, and engle fome broker for a Poet's gown, and befpeak a garland. I know not what; but formal in apparel; (21) Tra. If he be credulous, and trust my tale, Ped. God fave [Exeunt Lucentio and Bianca. Enter a Pedant. you, Sir. Tra. And you, Sir; you are welcome: Ped. Of Mantua. Tra. Of Mantua, Sir? God forbid ! And come to Padua, carelefs of your life? Ped. My life, Sir! how, I pray? for that goes hard. Tra. 'Tis death for any one in Mantua To come to Padua; know you not the caufe? Your fhips are ftaid at Venice, and the Duke (For private quarrel 'twixt your Duke and him,) Hath published and proclaimed it openly: (21) -but formal in apparel; In gait and countenance furely like a father.] I have made bold to read, furly; and furely, I believe, I am right in doing fo. Our Poet always reprefents his pe dants, imperious and magifteria!. Befides, Tranio's direc tions to the pedant for his behaviour vouch for my emenda tion. 'Tis well; and hold your own in any cafe, "Tis marvel, but that you're newly come, This will I do, and this will I advise you; Tra. Among them know you one Vincentio? Ped. I know him not, but I have heard of him; A merchant of incomparable wealth. Tra. He is my father, Sir; and, footh to say, In count'nance fomewhat doth resemble you. Bien. As much as an apple doth an oyster, and all one. [Afide. Tra. To fave your life in this extremity, His name and credit fhall you undertake, Ped. Oh, Sir, I do; and will repute you ever Tra. Then go with me to make the matter good: This by the way I let you understand, My father is here looked for every day, To pafs affurance of a dower in marriage 'Twixt me and one Baptifta's daughter here: In all thefe circumftances I'll inftru&t you: Go with me, Sir, to cloath you as becomes you [Exeunt] |