Here, youth, there is my purse: I give thee this [Exit Silvia, with attendants. Jul. And she shall thank you for't, if e'er you know her. A virtuous gentlewoman, mild and beautiful! 175 180 185 Her eyes are grey as glass; and so are mine : 190 But I can make respective in myself, If this fond Love were not a blinded god? 195 172 my purse] F1. a purse F2F3F4- 178 my mistress'] his mistress' Hanmer. 185 auburn] Rowe. Aburne Ff. 189 mine's as high] mine is high Pope. My substance should be statue in thy stead. 200 [Exit. ACT V. SCENE I. Milan. An abbey. Enter EGLAMOUR. Egl. The sun begins to gild the western sky; And now it is about the very hour That Silvia, at Friar Patrick's cell, should meet me. She will not fail, for lovers break not hours, Unless it be to come before their time; Enter SILVIA. 5 Lady, a happy evening! Sil. Amen, amen! Go on, good Eglamour, Out at the postern by the abbey-wall: 197 statue] sainted Hanmer. statued Warburton. statua Reed conj. shadow Elze conj. 200 your] thy Hanmer. those Blair conj. 201 [Exit.] F2. [Exeunt. F1. SCENE I. Milan.] Pope. An abbey.] Capell. Near the Friar's cell. Theobald. Enter Eglamour.] Rowe. Enter Eglamoure, Siluia. Ff. 3 That] om. Pope. Friar] om. Steevens, 1793 (Capell conj.). Enter Silvia.] Rowe. om. Ff. I fear I am attended by some spies. If we recover that, we are sure enough. 10 [Exeunt. SCENE II. The same. The DUKE's palace. Enter THURIO, PROTEUS, and JULIA. Thu. Sir Proteus, what says Silvia to my suit? And yet she takes exceptions at your person. Pro. No; that it is too little. 5 Thu. I'll wear a boot, to make it somewhat rounder. Jul. [Aside] But love will not be spurr'd to what it loathes. Thu. What says she to my face? Pro. She says it is a fair one. Thu. Nay then, the wanton lies; my face is black. 10 Pro. But pearls are fair; and the old saying is, Black men are pearls in beauteous ladies' eyes. Jul. [Aside] 'Tis true, such pearls as put out ladies' eyes; For I had rather wink than look on them. 12 we are] we're Pope. SCENE II. The Duke's palace.] An Enter...and Julia.] Rowe. Enter... 7 Jul. [Aside] But love] Collier Ff. 13 Jul.] Rowe. Thu. Ff. Thu. How likes she my discourse? Thu. But well, when I discourse of love and peace? 15 Jul. [Aside] But better, indeed, when you hold your peace. Thu. What says she to my valour? Pro. O, sir, she makes no doubt of that. 20 Jul. [Aside] She needs not, when she knows it cow ardice. Thu. What says she to my birth? Pro. That you are well derived. Jul. [Aside] True; from a gentleman to a fool. Thu. Considers she my possessions? 25 Pro. O, ay; and pities them. Thu. Wherefore? Jul. [Aside] That such an ass should owe them. Pro. That they are out by lease. Jul. Here comes the duke. Enter DUKE. Duke. How now, Sir Proteus! how now, Thurio! Which of you saw Sir Eglamour of late? 30 18 better, indeed] indeed, better Dyce (ed. 2). 25 possessions] large possessions Collier, ed. 2 (Collier MS.). 28 owe] Ff. own Pope. Duke. Why then, She's fled unto that peasant Valentine; And Eglamour is in her company. 35 'Tis true; for Friar Laurence met them both, But, being mask'd, he was not sure of it; 40 Besides, she did intend confession At Patrick's cell this even; and there she was not; 45 That leads toward Mantua, whither they are fled: [Exit. Thu. Why, this it is to be a peevish girl, 50 [Exit. Pro. And I will follow, more for Silvia's love Than hate of Eglamour, that goes with her. Jul. And I will follow, more to cross that love Than hate for Silvia, that is gone for love. [Exit. 55 34, 35 Why then, She's] Why then, she's Capell. 35 that] F1. the F2F3F4 38 in penance] by chance Gould conj. 40 it] her Collier, ed. 2 (Collier MS.). 44 you, stand not] you stand, not F1. 47 toward] towards Pope. 48 [Exit.] Rowe. Exit in haste. Collier MS. 50 when] F1. where F2F3F4 51 on] of Rowe (ed. 2). Eglamour] him Taylor conj. MS. 52 [Exit.] Capell. 54 [Exit.] Capell. 56 [Exit.] Capell. [Exeunt. Ff. [Exit. |