And fought the holy wars in Palestine, By this brave duke came early to his grave: At our importance hither is he come, To spread his colours, boy, in thy behalf; Of thy unnatural uncle, English John: Arth. God shall forgive you Coeur-de-lion's death should belong [to King Philip]. Again, after a few words from Arthur to the Duke, Louis patronisingly commends him as 'A noble boy! who would not do thee right?' Yet we know that these young princes were about the same age, and had been educated together. This blind adherence to the prefixes of the folio (elsewhere admittedly most inaccurate) appears to have arisen from Shakespeare having crowded into this drama the events of several years. In the later acts Louis plays a conspicuous part, and heads the invasion of England; but at the period in question he was a mere youth, and was evidently so considered by the dramatist. If we read the whole of this scene carefully, we can hardly fail to perceive that Louis is not intended to speak until called upon to express his sentiments with regard to marrying the Lady Blanch. When King John proposes the marriage to King Philip, the latter addresses his son by 'What say'st thou, boy? look in the lady's face ;' and King John afterwards asks, 'What say these young ones?' How, consistently with real or dramatic decorum, could 'a beardless boy,' 'a cockered silken wanton,' as Louis is described by Philip Falconbridge, be the first to welcome the Duke of Austria before Angiers, and this in the presence of his father, the King of France? The first speech given to King Philip in the received text commences with 'Well, then, to work,' &c., and implies that he had previously spoken. With a few unimportant exceptions, Shakespeare invariably makes his monarchs and great personages open and conclude the dialogue, whenever they appear. This further exception in 'King John' would be a strange and most suspicious instance of the reverse. I may add, too, that in the old play -The Troublesome Raigne of King John of England'-upon which Shakespeare founded his drama, the corresponding speech is assigned, and with undeniable propriety, to King Philip." (13) But with a heart full of unstained love:] Mr. Collier's Ms. Corrector reads ". unstrained love; "-against which very plausible alteration Mr. Knight (Spec. of the Stratford Shakspere, p. 2) has adduced K. Phi. A noble boy! Who would not do thee right? Const. O, take his mother's thanks, a widow's thanks, Aust. The peace of heaven is theirs that lift their swords In such a just and charitable war. K. Phi. Well, then, to work: our cannon shall be bent Const. Stay for an answer to your embassy, That hot rash haste so indirectly shed.(15) from Pericles, act i. sc. 1, "my unspotted fire of love." Compare, too, a passage towards the close of the present play, p. 96. "And the like tender of our love we make, To rest without a spot for evermore." (14) K. Phi.] The folio has "Lewis." (15) so indirectly shed] Mr. Collier's Ms. Corrector reads "So indiscreetly shed;" on which an anonymous critic writes as follows: "In K. Phi. A wonder, lady,-lo, upon thy wish, Our messenger Chatillon is arriv'd. Enter CHATILLON. What England says, say briefly, gentle lord; Chat. Then turn your forces from this paltry siege, directly' is Shakespeare's word. The Ms. Corrector suggests 'indiscreetly' -a most unhappy substitution, which we are surprised that the generally judicious Mr. Singer should approve of. Indiscreetly' means imprudently, inconsiderately. Indirectly' means wrongfully, iniquitously, as may be learnt from these lines in King Henry V., where the French king is denounced as a usurper, and is told that Henry 'bids you, then, resign Your crown and kingdom, indirectly held It was certainly the purpose of Constance to condemn the rash shedding To make a hazard of new fortunes here: [Drums within. To do offence and scathe in Christendom. K. Phi. How much unlook'd for is this expedition! For courage mounteth with occasion: Let them be welcome, then; we are prepar'd. Enter King JOHN, ELINOR, BLANCH, the Bastard, Lords, and Forces. K. John. Peace be to France, if France in peace permit Our just and lineal entrance to our own! If not, bleed France, and peace ascend to heaven! Their proud contempt that beat his peace to heaven. Out-faced infant state, and done a rape Upon the maiden virtue of the crown. Look here upon thy brother Geffrey's face ;- This little abstract doth contain that large VOL. IV. And his is Geffrey's :07) in the name of God, K. John. From whom hast thou this great commission, France, To draw my answer from (18) thy articles? K. Phi. From that supernal judge that stirs good thoughts In any breast (19) of strong authority, To look into the blots and stains of right. That judge hath made me guardian to this boy : And by whose help I mean to chastise it. Than thou and John in manners,-being as like My boy a bastard! By my soul, I think It cannot be, an if thou wert his mother. Eli. There's a good mother, boy, that blots thy father. Const. There's a good grandam, boy, that would blot thee. Aust. Peace! Bast. Aust. Hear the crier. What the devil art thou? Bast. One that will play the devil, sir, with you, (17) And his is Geffrey's] ie. whatever was Geffrey's is now his (Arthur's). So Mason. The folio has "And this is Geffreyes," the transcriber or compositor having by mistake repeated the "this" which stands immediately above. (18) from] Altered by Hanmer to "to,"-rightly perhaps, as "from" may have been caught from the preceding line. (19) breast] The folio has "beast." |