Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 183
... Angelo will fail the test . Should the actor take a firm line , or let the ambiguity speak for itself ? It's a crucial decision : has the Duke set the whole thing up to teach Angelo that justice must be tempered with mercy , or , more ...
... Angelo will fail the test . Should the actor take a firm line , or let the ambiguity speak for itself ? It's a crucial decision : has the Duke set the whole thing up to teach Angelo that justice must be tempered with mercy , or , more ...
Seite 186
Oliver Ford Davies. and accused Angelo ( despite the fact that he would realise Angelo would claim he only ' made trial of ' Isabella ) . Instead he decides to stay in disguise , and embark on a complex and risky scheme . His motive for ...
Oliver Ford Davies. and accused Angelo ( despite the fact that he would realise Angelo would claim he only ' made trial of ' Isabella ) . Instead he decides to stay in disguise , and embark on a complex and risky scheme . His motive for ...
Seite 193
... Angelo through torment , and testing Mariana and Isabella to the extreme . More and more the Duke takes on the mantle of divine authority in his speech to Angelo , helped by both rhyme and the repetition of key words : ' An Angelo for ...
... Angelo through torment , and testing Mariana and Isabella to the extreme . More and more the Duke takes on the mantle of divine authority in his speech to Angelo , helped by both rhyme and the repetition of key words : ' An Angelo for ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote