Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 162
... English or in translation . Playing Henry V and Coriolanus on European tours ( without surtitles ) I have been amazed how much was understood and appreciated by audiences with only a basic knowledge of the language . I had the same ...
... English or in translation . Playing Henry V and Coriolanus on European tours ( without surtitles ) I have been amazed how much was understood and appreciated by audiences with only a basic knowledge of the language . I had the same ...
Seite 219
... English form - he must have been aware of Mon- taigne . His version of the essay is the soliloquy , where he introduces the ' I ' into the characters , which is really his great gift to drama . It makes me warm all these years later ...
... English form - he must have been aware of Mon- taigne . His version of the essay is the soliloquy , where he introduces the ' I ' into the characters , which is really his great gift to drama . It makes me warm all these years later ...
Seite 220
... English you are immediately closer to the heart of what Shakespeare was parti- cularly good at doing . He could also stage a story wonderfully well , though not invent one . The second feature film ever made is a silent version of ...
... English you are immediately closer to the heart of what Shakespeare was parti- cularly good at doing . He could also stage a story wonderfully well , though not invent one . The second feature film ever made is a silent version of ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote