Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 75
... Hamlet is in essence a typical revenge plot , but Hamlet is no typical avenger . As the academic Peter Thompson says , ' It is in behaviour inconsistent with personal impulse that the idea of character is contained.'20 The critic Frank ...
... Hamlet is in essence a typical revenge plot , but Hamlet is no typical avenger . As the academic Peter Thompson says , ' It is in behaviour inconsistent with personal impulse that the idea of character is contained.'20 The critic Frank ...
Seite 240
... Hamlet go mad ? When I began to read the play carefully , there seemed to be only one scene , with Polonius , where Hamlet talks in that strange , seemingly incoherent way that we associate with Shakespeare's ' mad language ' [ cf ...
... Hamlet go mad ? When I began to read the play carefully , there seemed to be only one scene , with Polonius , where Hamlet talks in that strange , seemingly incoherent way that we associate with Shakespeare's ' mad language ' [ cf ...
Seite 245
... Hamlet in Peter Brook's production [ 2000 ] ? Peter began from a belief that whoever came to this production had seen the play before . He explained that we were not going to please those people who clung to their favourite bits ...
... Hamlet in Peter Brook's production [ 2000 ] ? Peter began from a belief that whoever came to this production had seen the play before . He explained that we were not going to please those people who clung to their favourite bits ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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