Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 246
... Henry's ideas and feelings , even berating them because they didn't have Henry's problems , so how could they understand ? I actually enjoyed speaking to the person in the back row because I felt like a politician , which is how Nick ...
... Henry's ideas and feelings , even berating them because they didn't have Henry's problems , so how could they understand ? I actually enjoyed speaking to the person in the back row because I felt like a politician , which is how Nick ...
Seite 265
... Henry V ; Frances Barber on Ophelia ; Ben Kingsley on Othello ; and David Suchet on Iago . VOL . 3 , eds . Russell Jackson and Robert Smallwood , 1994 : Maggie Steed on Beatrice ; Deborah Findlay on Portia ; Nicholas Woodeson on King ...
... Henry V ; Frances Barber on Ophelia ; Ben Kingsley on Othello ; and David Suchet on Iago . VOL . 3 , eds . Russell Jackson and Robert Smallwood , 1994 : Maggie Steed on Beatrice ; Deborah Findlay on Portia ; Nicholas Woodeson on King ...
Seite 271
... Henry IV 95 , 98 , 163 II Henry IV 98 Doll Tearsheet 143 Douglas 163 Falstaff 5 , 69 , 71 , 74 , 75 , 109 , 128 , 136 , 143 , 144 , 174 quoted 41 , 53 , 102 Henry IV 47-8 , 72 , 95 Hotspur 72 , 73 , 133 , 140 , 163 Lady Percy 73 , 225 ...
... Henry IV 95 , 98 , 163 II Henry IV 98 Doll Tearsheet 143 Douglas 163 Falstaff 5 , 69 , 71 , 74 , 75 , 109 , 128 , 136 , 143 , 144 , 174 quoted 41 , 53 , 102 Henry IV 47-8 , 72 , 95 Hotspur 72 , 73 , 133 , 140 , 163 Lady Percy 73 , 225 ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote