Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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and accused Angelo ( despite the fact that he would realise Angelo would claim
he only ' made trial of ' Isabella ) . Instead he decides to stay in disguise , and
embark on a complex and risky scheme . His motive for this is the key to the part .
It shows the Duke and Isabella working closely together in harmony , Isabella
seeming as absorbed and excited by the stratagems as the Duke , and this can
be used as a sign of a developing romantic relationship . There is potential
at , and the Duke takhelped by determined to take to the wire ; and this plan has
to involve putting Angelo through torment , and testing Mariana and Isabella to
the extreme . More and more the Duke takes on the mantle of divine authority in
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THE ELIZABETHAN ACTOR
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