Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 186
... Isabella ) . Instead he decides to stay in disguise , and embark on a complex and risky scheme . His motive for this is the key to the part . It's possible that the Duke , as God's deputy on earth ( Angelo later refers to his ' power ...
... Isabella ) . Instead he decides to stay in disguise , and embark on a complex and risky scheme . His motive for this is the key to the part . It's possible that the Duke , as God's deputy on earth ( Angelo later refers to his ' power ...
Seite 188
... Isabella working closely together in harmony , Isabella seeming as absorbed and excited by the stratagems as the Duke , and this can be used as a sign of a developing romantic relationship . There is potential comedy in the fact that ...
... Isabella working closely together in harmony , Isabella seeming as absorbed and excited by the stratagems as the Duke , and this can be used as a sign of a developing romantic relationship . There is potential comedy in the fact that ...
Seite 193
... Isabella if she will plead for Angelo , only for Mariana fortuitously to save him the trouble ? Isabella's plea ( see pp . 243-4 ) does free him to change course and demand the Provost bring in Barnardine and , presumably by prearrange ...
... Isabella if she will plead for Angelo , only for Mariana fortuitously to save him the trouble ? Isabella's plea ( see pp . 243-4 ) does free him to change course and demand the Provost bring in Barnardine and , presumably by prearrange ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote