Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 65
... Lady Capulet are dealt with fully ; Montague and Lady Montague are very cursorily sketched in . The Elizabethan audience must have felt cheated that a play about Henry V doesn't contain a re - enactment of the battle of Agincourt : the ...
... Lady Capulet are dealt with fully ; Montague and Lady Montague are very cursorily sketched in . The Elizabethan audience must have felt cheated that a play about Henry V doesn't contain a re - enactment of the battle of Agincourt : the ...
Seite 169
... LADY And when goes hence ? MACBETH Tomorrow , as he purposes . LADY Shall sun that morrow see . O never Your face , my thane , is as a book where men May read strange matters . ( 1.5.56-61 ) The folio places the start of all four ...
... LADY And when goes hence ? MACBETH Tomorrow , as he purposes . LADY Shall sun that morrow see . O never Your face , my thane , is as a book where men May read strange matters . ( 1.5.56-61 ) The folio places the start of all four ...
Seite 225
... Lady Percy , is no less . His female characters may be no less complex , but the trouble is you often don't get the scenes to show their development Lady Macbeth for example [ RSC , 1999 ] disappears from the stage and then reappears ...
... Lady Percy , is no less . His female characters may be no less complex , but the trouble is you often don't get the scenes to show their development Lady Macbeth for example [ RSC , 1999 ] disappears from the stage and then reappears ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote