Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 64
... Macbeth and Lady Macbeth , Antonio and Bassanio , Beatrice and Benedick are central to the action but left tantalisingly vague . Why is Lear abdicating and why , being so old , does he have a daughter as young as Cordelia ? Why have ...
... Macbeth and Lady Macbeth , Antonio and Bassanio , Beatrice and Benedick are central to the action but left tantalisingly vague . Why is Lear abdicating and why , being so old , does he have a daughter as young as Cordelia ? Why have ...
Seite 169
... MACBETH My dearest love , Duncan comes here tonight . LADY And when goes hence ? MACBETH Tomorrow , as he purposes . LADY Shall sun that morrow see . O never Your face , my thane , is as a book where men May read strange matters . ( 1.5 ...
... MACBETH My dearest love , Duncan comes here tonight . LADY And when goes hence ? MACBETH Tomorrow , as he purposes . LADY Shall sun that morrow see . O never Your face , my thane , is as a book where men May read strange matters . ( 1.5 ...
Seite 265
... Macbeth . VOL . 5 , ed . Robert Smallwood , 2003 : Philip Voss on Prospero ; Antony Sher on Leontes and Macbeth ; Zoë Waites and Matilda Ziegler on Viola and Olivia ; Simon Russell Beale on Hamlet ; Nigel Hawthorne on King Lear ; and ...
... Macbeth . VOL . 5 , ed . Robert Smallwood , 2003 : Philip Voss on Prospero ; Antony Sher on Leontes and Macbeth ; Zoë Waites and Matilda Ziegler on Viola and Olivia ; Simon Russell Beale on Hamlet ; Nigel Hawthorne on King Lear ; and ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote