Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 9
... Prince Henry's Men and the recently established Worcester's the Queen's Men . The number of productions presented at court greatly increased , as did royal payments . The sharers in the King's Men became Grooms of the Chamber , a sharp ...
... Prince Henry's Men and the recently established Worcester's the Queen's Men . The number of productions presented at court greatly increased , as did royal payments . The sharers in the King's Men became Grooms of the Chamber , a sharp ...
Seite 74
... prince out of thy star ' ; how delighted Capulet is to have secured a count ( Paris ) as a son - in - law ; and how Bertram objects to marrying Helena , ' a poor physician's daughter ' . MONEY rivalled class in importance , and ...
... prince out of thy star ' ; how delighted Capulet is to have secured a count ( Paris ) as a son - in - law ; and how Bertram objects to marrying Helena , ' a poor physician's daughter ' . MONEY rivalled class in importance , and ...
Seite 140
... prince , a scholar , a son and a bereaved man . Others would argue that Hamlet's essence lies in his psychology , and that an unprincely , unscholarly approach can illuminate the part in different ways . Towards the end of rehearsal a ...
... prince , a scholar , a son and a bereaved man . Others would argue that Hamlet's essence lies in his psychology , and that an unprincely , unscholarly approach can illuminate the part in different ways . Towards the end of rehearsal a ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote