Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite xi
... Richard Eyre , Ralph Fiennes , Michael Gambon , Patrick Garland , Richard Griffiths , Terry Hands , Ronald Harris , Alan Howard , Geoffrey Hutchings , Emrys James , Barbara Jefford , Gemma Jones , Felicity Kendal , Jonathan Kent , Jane ...
... Richard Eyre , Ralph Fiennes , Michael Gambon , Patrick Garland , Richard Griffiths , Terry Hands , Ronald Harris , Alan Howard , Geoffrey Hutchings , Emrys James , Barbara Jefford , Gemma Jones , Felicity Kendal , Jonathan Kent , Jane ...
Seite 141
... Richard II Ian Richardson and Richard Pasco alternated as Richard and Bolingbroke . Richard Pasco , Ian wrote , ' saw his king in an elegiac sense , very much a Christ figure who really believed devoutly in the Divine Right ' . Ian saw ...
... Richard II Ian Richardson and Richard Pasco alternated as Richard and Bolingbroke . Richard Pasco , Ian wrote , ' saw his king in an elegiac sense , very much a Christ figure who really believed devoutly in the Divine Right ' . Ian saw ...
Seite 265
... Richard McCabe on Autolycus ; David Troughton on Richard III ; Susan Brown on Queen Elizabeth in Richard III ; Paul Jesson on Henry VIII ; Jane Lapotaire on Queen Katherine ; Philip Voss on Menenius ; Julian Glover on Friar Laurence ...
... Richard McCabe on Autolycus ; David Troughton on Richard III ; Susan Brown on Queen Elizabeth in Richard III ; Paul Jesson on Henry VIII ; Jane Lapotaire on Queen Katherine ; Philip Voss on Menenius ; Julian Glover on Friar Laurence ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote