Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Shakespeare was intrigued by the vices and virtues of disguise ( Kent can help
Lear ; Edgar , Gloucester ; and Portia , Antonio , all through disguise ) , and Viola
joins Hamlet and Isabella in their revulsion at ' seeming ' . Women are indeed ...
This could either make Viola uneasy , or she may perceive she has an ally – or
even a rival ( Feste seems proprietorial towards Olivia ) . It ' s followed by one of
Viola ' s verse addresses to the audience , again demonstrating her quality of ...
Viola needs to feel to the very last moment that her brother may not be real .
When Sebastian finally calls her by the name “ Viola ' ( never mentioned in the
play before ) , it is as if her female nature is being called back into existence : it is
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THE ELIZABETHAN ACTOR
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