Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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By 1600 a new term appears – ' personation ' - to describe the way the actor
behaves as if he were the imagined person ... to the nature of the person
personated . . . and they should appear to you to be the self - same men ' they
If we appear relaxed , we can take an audience anywhere . It ' s not easy . As
Spencer Tracy said , ' I listen , I think , and I speak . And if you think that ' s easy ,
try it . ' As the energy leaves the body it has to shape a welter of decisions , both ...
The play , which in Act 2 appears to centre on the theme of ' the corrupt
magistrate ' , now returns to ' the ruler in disguise ' ... It ' s vital to play this surprise
, and to appear to be improvising as he goes along : even the advantaging of
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THE ELIZABETHAN ACTOR
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