Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
Ergebnisse 1-3 von 90
Judi Dench recalls how in Africa the audience went wild at the reunion of
Sebastian and Viola , much to the surprise of a cast overfamiliar with the play (
see p . 217 ) . Third , we have to make sure that nothing detracts too much from
the telling ...
THE AUDIENCE Theatre needs an actor , a space – and a spectator : the arrival
of the AUDIENCE is the completion of the process . Theatre is at its best when
actor and audience are sharing thoughts and emotions , and it is this act of
Some parts , some moments can be played directly out to the audience . They are
the only confidant Viola has for most of the play ; Hamlet and Macbeth depend on
them a great deal . As Brian Cox wrote about his Titus Andronicus : The sense ...
Was andere dazu sagen - Rezension schreiben
THE ELIZABETHAN ACTOR
31 weitere Abschnitte werden nicht angezeigt.