Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 56
... breath , but why then a comma after ' yesterdayes ' ? We certainly wouldn't need to take a breath there , so soon after the colon at ' Recorded time ' . Some maintain capital letters mark heavy stresses , but their distribution here ...
... breath , but why then a comma after ' yesterdayes ' ? We certainly wouldn't need to take a breath there , so soon after the colon at ' Recorded time ' . Some maintain capital letters mark heavy stresses , but their distribution here ...
Seite 83
... breathing exercises . Breath is central to the actor's creativity , particularly in Shakespeare . Our whole being is dependent on breathing , as breathing is dependent on oxygen . Together they feed the brain and the voice . Breath is ...
... breathing exercises . Breath is central to the actor's creativity , particularly in Shakespeare . Our whole being is dependent on breathing , as breathing is dependent on oxygen . Together they feed the brain and the voice . Breath is ...
Seite 97
... breath . Once we are on top of the thought and its energy , the breath will follow . In real life we nearly always have enough breath for what we want to say just listen to any animated conversation . As Kenneth Branagh said , ' If I ...
... breath . Once we are on top of the thought and its energy , the breath will follow . In real life we nearly always have enough breath for what we want to say just listen to any animated conversation . As Kenneth Branagh said , ' If I ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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