Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Claims have been made that commas mark places to take breath , but why then a
comma after “ yesterdayes ' ? We certainly wouldn ' t need to take a breath there ,
so soon after the colon at Recorded time ' . Some maintain capital letters mark ...
So get used to warming the voice up each day and doing some breathing
exercises . Breath is central to the actor ' s creativity , particularly in Shakespeare
. Our whole being is dependent on breathing , as breathing is dependent on
The root of our energy always lies with the breath . Once we are on top of the
thought and its energy , the breath will follow . In real life we nearly always have
enough breath for what we want to say – just listen to any animated conversation
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THE ELIZABETHAN ACTOR
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