Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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At the same time it ' s vital to put on hold any final character assessment . The
rehearsal period , with the input of the director and the other actors and the
continual re - examination of the text , should open up choices and avenues that
CHARACTER David Mamet writes that ' the preoccupation of today ' s actor with
character is simply a modern rendition of an age - old preoccupation with
performance , which is to say , with oneself ' . Hamlet doesn ' t exist outside the
play and ...
I am not what I am ' is a good motif to take into any exploration of a
Shakespearean character . How much of the character should be you ? Bernard
Shaw divided actors into the classical , who become the character , and the
romantic , who ...
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THE ELIZABETHAN ACTOR
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