Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
Ergebnisse 1-3 von 33
... stage it ' s easier to speed things up , than to slow them down . Other directors
work extremely slowly , but don ' t think you ' ve got to ' solve ' every moment first
time round . Actors work in very different ways : some put off making choices and
Sometimes there is a wide choice . In Orsino ' s opening line – ' If music be the
food of love , play on ' – ' music ' , ' be ' , ' food ' , ' love ' , ' play on ' are all possible
emphases . ' Music ' and ' play on ' would seem the natural choices , since ...
So my starting point was : let ' s give her choices full value and see why she ' d
made them , and what it means and how they resonate . Why should we judge
this character before we understand her ? In life , women and their morals are
Was andere dazu sagen - Rezension schreiben
THE ELIZABETHAN ACTOR
31 weitere Abschnitte werden nicht angezeigt.