Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 128
... comic agenda : their predicament is at times very dangerous and the resolution serious . Think how laughter is banished at the end of Love's Labour's Lost , The Tempest and The Winter's Tale . At the same time actors who have set out to ...
... comic agenda : their predicament is at times very dangerous and the resolution serious . Think how laughter is banished at the end of Love's Labour's Lost , The Tempest and The Winter's Tale . At the same time actors who have set out to ...
Seite 130
... comic . There is also a clown tradition of stammers , silly walks and various physical oddities . Sometimes this offers a way into character that can be discarded as rehearsals progress ; sometimes the accent or disability becomes ...
... comic . There is also a clown tradition of stammers , silly walks and various physical oddities . Sometimes this offers a way into character that can be discarded as rehearsals progress ; sometimes the accent or disability becomes ...
Seite 240
... comic , whether you're playing Hamlet or Malvolio ? In the greatest , and most complex parts , yes . Hamlet is definitely comedic ; and Malvolio has what we would see as a tragically limited life . What defines these characters as ...
... comic , whether you're playing Hamlet or Malvolio ? In the greatest , and most complex parts , yes . Hamlet is definitely comedic ; and Malvolio has what we would see as a tragically limited life . What defines these characters as ...
Inhalt
THE ELIZABETHAN ACTOR | 3 |
PERFORMANCE | 5 |
ΙΟ | 10 |
Urheberrecht | |
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