Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 223
... course have all those things in your mind at the same time . There can be moments in performance when you're lost in the character , when you're exclusively in their world and , having been there , visited it , you'll be able to make ...
... course have all those things in your mind at the same time . There can be moments in performance when you're lost in the character , when you're exclusively in their world and , having been there , visited it , you'll be able to make ...
Seite 237
... course he does in the end commit suicide . I just wonder whether he is idealistic , romantic in his desire to preserve the principles on which the republic is built - a little naive in fact . This of course ignores any source material ...
... course he does in the end commit suicide . I just wonder whether he is idealistic , romantic in his desire to preserve the principles on which the republic is built - a little naive in fact . This of course ignores any source material ...
Seite 250
... course , because whenever I had read about her she was always described as a frigid hysteric or neurotic : that because she won't sleep with Angelo to save her brother's life , ergo there's something wrong with her . So my starting ...
... course , because whenever I had read about her she was always described as a frigid hysteric or neurotic : that because she won't sleep with Angelo to save her brother's life , ergo there's something wrong with her . So my starting ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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