Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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You flit about between being the actor in charge of the audience ' s response ,
getting a move on , and being in the situation : you can of course have all those
things in your mind at the same time . There can be moments in performance
He has of course done something terrible but , rather like Hamlet himself , could
he not want things to return , as far as is possible , back to normal ? He wanted
his brother ' s crown and his wife , and now he wants his son too . In saying ' You
Which roles in particular ? Isabella is a classic case of course , because
whenever I had read about her she was always described as a frigid hysteric or
neurotic : that because she won ' t sleep with Angelo to save her brother ' s life ...
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THE ELIZABETHAN ACTOR
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