Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 184
... death ' ) , followed by a reason ( ' If I do lose thee , I do lose a thing / That none but fools would keep ' ) and twelve examples . The conclusion is unexpected ( ' Yet death we fear / That makes these odds all even ' ) , but Claudio ...
... death ' ) , followed by a reason ( ' If I do lose thee , I do lose a thing / That none but fools would keep ' ) and twelve examples . The conclusion is unexpected ( ' Yet death we fear / That makes these odds all even ' ) , but Claudio ...
Seite 185
... death , which is no more ' ; and the sentence that begins with the short monosyllables of ' If thou art rich , thou'rt poor ' ends with the long slow vowels of " Thou bear'st thy heavy riches but a journey , And death unloads thee ...
... death , which is no more ' ; and the sentence that begins with the short monosyllables of ' If thou art rich , thou'rt poor ' ends with the long slow vowels of " Thou bear'st thy heavy riches but a journey , And death unloads thee ...
Seite 193
... death for death ' . Haste still pays haste , and leisure answers leisure ; Like doth quit like , and measure still for measure . ( 401-3 ) Of course he can't execute Angelo because Claudio's alive , but the theme of Justice , even ...
... death for death ' . Haste still pays haste , and leisure answers leisure ; Like doth quit like , and measure still for measure . ( 401-3 ) Of course he can't execute Angelo because Claudio's alive , but the theme of Justice , even ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote