Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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The speech is also full of changes of direction that give the language great
impulse . These changes come here at the caesura , since the new thought is
often more energised by starting mid - line than it would be at the line - end . A
... is your brother saved , your honour untainted , the poor Mariana advantaged ,
and the corrupt deputy scaled ' ( 244 - 5 ) . This radical change of direction is not
easy to play , and requires a boldness which only live theatre affords . Go for it !
Psychologically , emotionally , I felt the energy of those consonants , and it kicked
the speech in a different direction . A little pocket opens up , a bit of air is released
in a corner of a scene that you had glided over before , or had pre - decided ...
Was andere dazu sagen - Rezension schreiben
THE ELIZABETHAN ACTOR
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