Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
Im Buch
Ergebnisse 1-3 von 52
Seite 76
... DIRECTOR Actors , of course , think that the DIRECTOR has too much power . We often see ourselves as the last to be hired , first to be fired , and occupying the front line only in performance . Out there before an audience , the actor ...
... DIRECTOR Actors , of course , think that the DIRECTOR has too much power . We often see ourselves as the last to be hired , first to be fired , and occupying the front line only in performance . Out there before an audience , the actor ...
Seite 77
... director's confidence , that it can be very frustrating . You may not want to play Ophelia as an adolescent hysteric , or Laertes as a myopic guards officer . Some directors are anti - conceptual , and declare that they have no idea ...
... director's confidence , that it can be very frustrating . You may not want to play Ophelia as an adolescent hysteric , or Laertes as a myopic guards officer . Some directors are anti - conceptual , and declare that they have no idea ...
Seite 87
... director will probably have worked out entrances and exits , but hopefully not detailed blocking - plenty of time for that . Some directors want immediate results , but don't allow yourself to be pushed on too fast . At a later stage ...
... director will probably have worked out entrances and exits , but hopefully not detailed blocking - plenty of time for that . Some directors want immediate results , but don't allow yourself to be pushed on too fast . At a later stage ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
63 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote