Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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224 THE DIRECTOR Actors , of course , think that the DIRECTOR has too much
power . We often see ourselves as the last to be hired , first to be fired , and
occupying the front line only in performance . Out there before an audience , the
decided by the first day of rehearsal , and that casting is the most important part of
the director ' s job . Sometimes their choices can seem recklessly bizarre .
Interplay between actors is so important in Shakespeare that miscasting can
Not every director , however , has thought it possible to determine what was in
Shakespeare ' s mind . Jonathan Miller argues success is ' rated not by the
degree to which the performance approximates to an entirely unknowable state
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THE ELIZABETHAN ACTOR
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