Nick Hern Books, 2007 - 274 Seiten
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
Ergebnisse 1-3 von 69
Viola and Sebastian are shipwrecked – we don ' t know why they were travelling ,
what their destination was , or why they don ' t take the next boat home . On the
whole we and the audience accept these openings , as we would in a fairy story ...
Some directors want immediate results , but don ' t allow yourself to be pushed on
too fast . At a later stage it ' s easier to speed things up , than to slow them down .
Other directors work extremely slowly , but don ' t think you ' ve got to ' solve ...
I think women love playing Shakespeare because you don ' t feel – apart from
length , you don ' t have such a long part in terms of the burden of taking the play
through – that you have any less intricate psychological language and poetry , so
Was andere dazu sagen - Rezension schreiben
THE ELIZABETHAN ACTOR
31 weitere Abschnitte werden nicht angezeigt.