Performing ShakespeareNick Hern Books, 2007 - 274 Seiten Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Seite 55
... editions recorded current stage practice , but even to this day there is a sense that editors re- arrange and ... edition each actor had chosen simply from the words and phrasing their texts had indicated to them - it can make ...
... editions recorded current stage practice , but even to this day there is a sense that editors re- arrange and ... edition each actor had chosen simply from the words and phrasing their texts had indicated to them - it can make ...
Seite 59
... edition hasn't been specified , choose one that has good footnotes . Of the many individual editions the New Penguin is compact , cheap and easy to read , as the notes are at the back ; the Arden has the fullest introduction and notes ...
... edition hasn't been specified , choose one that has good footnotes . Of the many individual editions the New Penguin is compact , cheap and easy to read , as the notes are at the back ; the Arden has the fullest introduction and notes ...
Seite 60
... edition to hand ) . This ' director's text ' will usually contain cuts . This is a mixed blessing . It can forestall argument and later disappoint- ment ( as an uncut part may be hacked a week before opening ) , but it will mean that ...
... edition to hand ) . This ' director's text ' will usually contain cuts . This is a mixed blessing . It can forestall argument and later disappoint- ment ( as an uncut part may be hacked a week before opening ) , but it will mean that ...
Inhalt
PREPARATION | 3 |
PERFORMANCE | 5 |
Repertoire Casting and Touring | 10 |
Urheberrecht | |
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acting action actor ambiguity Angelo audience backstory Benedick BIRON boy player breath Brutus Burbage Caesar character character's Cicely Berry Claudius clown comedy comic Coriolanus death director Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter heart Henry Iago iambic iambic pentameter imagination irony Isabella King Lear Lady Macbeth language Lear's Leontes look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Troilus and Cressida Twelfth Night verse Viola voice whole women words writing wrote